By Jeff VanderMeer
En un futuro no determinado, el Área X es un lugar remoto y escondido declarado zona de desastre ambiental desde hace décadas. los angeles naturaleza salvaje ha conquistado el lugar y su acceso está prohibido. l. a. agencia estatal Southern achieve ha enviado diversas expediciones pero casi siempre han fracasado: todos los miembros de un a expedición se suicidaron; otros enloquecieron y acabaron matándose entre sí, y los integrantes de l. a. última expedición regresaron convertidos en sombras de lo que un día fueron. Ésta es l. a. expedición número doce. El grupo está compuesto por cuatro mujeres: una antropóloga, una topógrafa, una psicóloga y los angeles narradora, una bióloga. Su misión es cartografiar el terreno y recolectar muestras, anotar todas sus observaciones tanto de su entorno como de sus compañeras. Pronto descubren una gran anomalía geográfica y formas de vida más allá de todo entendimiento. Mientras se enfrentan a una naturaleza tan bella como claustrofóbica, el pasado y los secretos con los que cruzaron l. a. frontera se vuelven cada vez más amenazantes. Aniquilación es el primer volumen de los angeles Trilogía Southern achieve, una serie que crea un mundo como nunca has imaginado y que nos enfrenta al extraño que se esconde dentro de nosotros mismos.
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Extra resources for Aniquilacion
I ask questions about the family, about skeletons, about love. ” Miss O’Brien added that she would like to see the reaction to The Gathering as time passed. The reaction to the play would not, she felt, make her discontinue writing plays in favor of writing more novels. When an idea was to be expressed it could sometimes be done in a novel and sometimes in a play. What she had to say in The Gathering involved interaction between characters and could best be achieved on the stage. Mr. Wilmot, who leaves the Abbey this week to establish his own management organization, intervened saying that in all his experience at the theater he had never seen an audience with so many knives in their pockets.
INTERVIEWER: In your novel A Pagan Place, the heroine does become a nun. Was that a vicarious fulﬁllment of a subconscious wish? O’BRIEN: Perhaps. I did think of becoming a nun when I was very young, but it went out of my mind later, chased away by sexual desire! <> INTERVIEWER: Another interesting aspect of that novel is that it is written in the second-person singular, like a soliloquy. It is somewhat reminiscent of Molly Bloom’s soliloquy in Ulysses; were you conscious of the inﬂuence? O’BRIEN: I didn’t take Molly’s as a model.
But the thing about being a child is that you don’t really evaluate it until you have gone from it. When I think of childhood, I think of endless hours of being out in ﬁelds doing nothing, no purpose, moving from one stone to another stone, and then going over to touch the bark of a tree, ﬁnding out if it was smooth and then thinking: if I can get from there to there while I’m counting twenty, then something nice will happen. You know, that incredible mixture of sort of fancifulness and idleness—daft.
Aniquilacion by Jeff VanderMeer